Our client is a specialist equipment rental company that supplies cutting-edge technologies to feature films, high-end television, commercials, and, increasingly, live and broadcast-style productions. They pride themselves on moving fast, solving complex technical challenges, and delivering outstanding support to the industry’s most ambitious projects.
As the broadcast world evolves to embrace more cinematic workflows, they are expanding their services to meet this demand. This role plays a key part in that growth, offering the chance to work at the intersection of RF, IP, colour workflows, and live broadcast infrastructure.
We’re looking for a Broadcast Technical Supervisor to join our growing technical team and support this expansion into the broadcast and live production sector. The role is primarily office-based near High Wycombe, but as this is a new and evolving service line, the level of on-site work required may vary and is currently hard to predict.
This position is ideal for someone who is deeply passionate about broadcast technology, thrives on problem-solving, and enjoys staying on the cutting edge of industry innovation. You'll need a broad technical foundation spanning RF systems, IP-based signal flow, vision and colour workflows, and modern audio protocols.
Support the design, setup, and testing of RF and IP-based transmission and monitoring systems for live production environments.
• Interpret and assist in building complex signal flow diagrams, integrating both baseband (e.g. Provide remote and on-site technical support for live deployments as needed.
• Maintain quality control across audio, video, and transmission workflows, including colour pipelines (e.g. log formats, HDR).
• Contribute to workflow development for remote and hybrid productions.
• Proven experience in a live broadcast, RF engineering, or technical broadcast role (either studio or field-based).
• Hands-on experience with wireless video transmission systems, including RF camera links, COFDM systems, and frequency coordination.
• Familiarity with Dante audio networking and NMOS device control standards.
• Exposure to remote production or distributed workflow setups.
• Awareness of vision mixing systems and broadcast audio/video QC standards.
• Willingness to travel occasionally and work flexibly to support live deployments.
Experience with vision shading, waveform/vectorscope operation, or multiview monitoring.
Full-time role
• 5 hours per week, Monday - Friday
• While the role is primarily office-based, some travel and on-site support will be required depending on project needs. The level of this commitment may vary as our broadcast services evolve.
• 25 days annual leave plus UK bank holidays.
Employee Assistance Program
• Employee of the Month Award
• 2 unpaid days annually for volunteering
•